Chapter included in The Routledge Handbook to Spanish Film Music (Ed. Laura Miranda). Publiish by Routledge (Taylor & Francis Group) in New York September 12th, 2024. Link
Listen to it at Spotify: https://open.spotify.com/embed/album/3iz2kxzXdOcqy9wOqoYy64?utm_source=generator
Feature Film directed by Karlos Alastruey
Premiere: Kimolos International Film Festival (Greece), June 29th, 2023.
Oboe: María Fernández Bueno
Clarinet: Javier Delgado
English horn: María Fernández Bueno
Violin I: Domingo Escobar
Violin II: Daniel Serrano Sánchez
Viola: Ángela Calero
Cello: Azahara Escobar
Didgeridoo: Fernando Lope
Piano and electroacoustic: Sergio Lasuén
Sound engineers: Juan Bermúdez y Dani Lucó
Mixing engineer: Dani Lucó
Recorded at La Joya Music Recording Studio, Lucena (Córdoba), March 2023
Musimagen Score Catalogue
Publisher: Musimagen, Asociación de Compositores de Música para Audiovisual. In collaboration with SGAE Foundation, SGAE and AIE.
Published March, 2021.
For more information, follow this link.
Nominated for the 2019 ASECAN Awards of the Andalusian Cinema in the category of Best Book of Cinema for La armonía en las bandas sonoras del cine español de los noventa [Harmony in the Spanish Soundtracks of the Nineties]. The Red Carpet Ceremony was held in Lope de Vega Theater (Seville) on January 26th, 2019.
Music: Sergio Lasuén
Soloists: Laura Recuero (flute), María Fernández (oboe), Javier Delgado (clarinet), Ma. Victoria Folgado (basson), Rafael Máñez (horn), Antonio Priego (trumpet), Azahara Escobar (cello) y Antonio González Écija (guitar).
Recorded at the Fortissimo Studio (Lucena, Córdoba) by Javier JanAid and Daniel Lucó.
Mixing and mastering at Cinematic Composing Studio (Los Angeles, USA) by Marc Jovani.
8_Ratón Exterior (end):
6_Aparición abuelos (beginning):
11_Laura y Lucas:
Based on a PhD dissertation awarded with the Musicology Award 2017 by Spanish Musicological Society.
Prologue by Pascal Gaigne (Goya 2018 for the Best Original Music).
“Speaking or writing film music in the language of musicians is not common in bibliography. And to do this without decontextualizing the music of its images, is even rarer. Sergio Lasuén creates a new path in that sense, with a fundamental work to help us understand, from within, the music of Spanish cinema of recent times” . Josep Lluís i Falcó, University of Barcelona
«I think that it is a very serious, rigorous, exhaustive and interesting work that could be of interest to students of applied music composition». José Nieto, composer
More info: book.lasuen.es; Academia de Cine.
The Spanish Musicological Society (SEdeM) has awarded the Musicology Award 2017 to the PhD dissertation «La armonía como elemento de comunicación en procesos creativos globales: evidencias empíricas e interpretación valorativa en el cine español de los noventa» [Harmony as an element of communication in Global Creative Processes: empirical evidence and evaluative interpretation in Spanish cinema of the nineties]. Official Statement; newspaper.
Arsis, a chamber work composed by Sergio Lasuén and played by Matritum ensemble (Fl, Cl, Vln, Vc, Pno) is included in Galaica Musica, a CD published by Itinerant Classics and The Recording Consort. Other composers on this CD are Johan Amberg, Israel L. Estelche and Federico Mosquera.
What do nanoparticles sound like? Premiere Concert. In collaboration with the Nanotechnology Samca chair of the University of Zaragoza. Sponsored by the Institute of Engineering Research of Aragon and the CAI Foundation.
March 17, 2016. CAI Luzan (Zaragoza)
Research project directed by Dr. José Ramón Beltrán
Music producers: Sergio Lasuén and Carlos Hollers
Virgilio Pardo (sax)
Carlos Hollers (electronic music)
Sergio Lasuén (piano)
Fernando Lope (didgeridoo and percussion)
Ricardo Villalta (violin)
Paula Angulo (violin)
Andrea Oliva (viola)
Germán Barrio (cello)
You can enjoy free access to www.appliedharmony.com, your harmonic ear training website. Start practising just now! More information: video